國立台灣文學館-藏品資訊

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Title:Bi Hui “Reform Issue” inaugural issue

Category:Periodical

Author:Wang Jicong, Liu Guosong, eds.

No. of Item:1 volume

Dimension: 20.3 x14.7cm

Description:In May 1957 when Bi Hui was first published, the editor was Wang Jicong and the magazine was under the management of the Chinese Literature and Art Association (CLAA). In the beginning it was news sheet style publication and ran to over 40 issues, for the most part featuring discussion on contemporary cultural topics. Later it became impossible to continue publication owing to internal factional wrangling. On May 4, 1959 it resumed publication under Wei Tiancong as the “reformed” Bi Hui and appeared as a monthly 196 x136mm (32 kai) format publication. The first issue of this new magazine featured a cover with a drawing by Raoul Dufy (1877-1953) called “The Cello Player.” Following this, magazine covers all featured the works of modern European artists, and the publication continued on into the 1960s under Liu Guosong. As for content, the magazine made its creative contribution in introducing Western literary theory and criticism as well as the works of Western writers.

期刊名稱:筆匯1卷1期（革新號）

出刊/發行日期:民國48年5月

類別:期刊

作者:杜菲等

原件與否:原件

藏品層次:單件

數量單位:1冊

尺寸大小(長*寬*高):20.3*14.7*0.3cm

數位化類別:影像(圖片)

是否數位化:是

典藏單位:國立臺灣文學館

其他說明:在《筆匯》的變革史上，1957年5月創刊時，由王集叢擔任主編。這是中華民國文藝協會，簡稱「文協」所主導的雜誌，初期創辦時，以單張報紙型刊物面世，前後達40多期，以討論當時的文化問題為主，後因「文協」內部派系之爭等問題，無法繼續刊行。1959年5月4日由尉天驄接手開始了「革新號」的《筆匯》，改採用32開本的月刊形式來編排。首期雜誌以勞勃杜菲（Raoul Dufy，1877-1953）的素描「拉大提琴的人」為封面，此後多以歐洲現代畫家作品為封面，以此持續至1960年亦多出自劉國松的手筆。內容上對於介紹西方的文學理論與批評、介紹作家作品，有其開創性的貢獻。

提供者:張默

登錄號:NMTL20070461583

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